Dickens and the Visual Imagination – CFP Deadline EXTENDED

An international two-day conference to celebrate the bicentenary of Charles Dickens in 2012
9-10 July 2012
University and Surrey and the Paul Mellon Centre, London
Proposals due: 30 October 2011

Plenary speaker: Professor Kate Flint (Rutgers University)

This conference will explore the interfaces between art history and textual scholarship through the work of Charles Dickens. Dickens is renowned for the richness of his visual imagination and his publications encouraged readers to interpret his words with and through their accompanying illustrations. Not only was Dickens deeply engaged with ideas of the visual in his writing, but his work has also provoked responses from artists across multiple disciplines within the Victorian period and beyond. The conference seeks to build on recent interdisciplinary work (such as that of Kate Flint who will be giving a plenary paper) that illuminates nineteenth-century understandings of visual culture. By focussing the conference through a writer whose work is embedded in the visual imagination, Dickens will provide a test case for examining and theorising the connection between text and image across two hundred years of cultural history.

We invite proposals for panels and individual papers from scholars across disciplines. Topics might include, but are not limited to:
• Dickens and illustration
• The visual arts in Dickens’s work
• Responses to Dickens in the visual arts
• Dickens and performance
• Dickens in the press
• Dickens and new media
• Sciences of vision
• Dickens and commodification
• Dickens and aesthetics
• Observation and spying
• Perspective
• Blindness and the difficulties of representation

Please submit proposals (of up to 250 words) by 30 November 2011 at0 July 2012.
http://www.surrey.ac.uk/english/research/dickens2012/
The conference programme will also feature a reception at the Watts Gallery in nearby Compton, Surrey, to coincide with the gallery’s exhibition Dickens and Art

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